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Painting --- breviarium Mayer Van den Bergh --- miniaturen --- illuminated manuscripts --- Manuscripts. Epigraphy. Paleography --- Mayer van den Bergh Museum [Antwerp] --- anno 1400-1499 --- Illumination of books and manuscripts, Flemish --- Enluminure flamande --- Exhibitions. --- Expositions --- Horenbout, Gerard, --- Musée Mayer van den Bergh --- Catholic Church --- Liturgy --- Texts --- Illustrations --- Mayer van den Bergh breviary --- 091 <493 ANTWERPEN> --- 091:264-13*1 --- 091.31 <493> --- 75.033 --- woord en beeld --- David Gerard --- Gent-Brugse school --- zestiende eeuw --- vijftiende eeuw --- Maximiliaan-meester --- Breviarium Mayer van den Bergh --- België --- middeleeuwen --- schilderkunst --- kunst --- Handschriftenkunde. Handschriftencatalogi--België--ANTWERPEN --- Breviaria--(handschriften) --- Verluchte handschriften--België --- Exhibitions --- Muséee Mayer van den Bergh --- 091.31 <493> Verluchte handschriften--België --- 091:264-13*1 Breviaria--(handschriften) --- 091 <493 ANTWERPEN> Handschriftenkunde. Handschriftencatalogi--België--ANTWERPEN --- Musée Mayer van den Bergh --- 75.033:096 --- Flemish illumination of books and manuscripts --- Schilderkunst ; Middeleeuwen ; miniaturen, verluchte handschriften --- Horebout, Gerard, --- Horenbaut, Gerard, --- Hornebolt, Gerard, --- Hoorenbault, Gerard, --- Hurebout, Gerard, --- Antwerp. --- Museum Mayer van den Bergh --- Bréviaire du Musée Mayer van den Bergh à Anvers --- 75.033.5 --- Verluchte handschriften ; Breviarum Mayer van den Bergh ca 1500 --- Manuscripten --- Schilderkunst ; Late-middeleeuwen ; Gotiek --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Illumination of books and manuscripts, Flemish - Exhibitions --- Enluminure flamande - Expositions --- Horenbout, Gerard, - 1465?-1540?
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In the fourth century the idea arose that the Cross on which Christ was crucified had been found by Helena, mother of Emperor Constantine. Thus began a legend that would grow and flourish throughout the Middle Ages and cause the diffusion of countless splinters of holy wood. And where there is wood, there was once a tree. Could it be that the Cross was made from that most noble species, the Tree of Life? So, gathering characters along the way, the legend evolved into a tale that stretches from the Creation to the End of Time. A Heritage of Holy Wood is the first reconstruction of the iconographic and literary tradition of the Legend of the True Cross. Its broad scope encompasses relic cults, pilgrimages, travellers' tales and the Tree of Life and involves Church Fathers, crusader kings, Teutonic Knights and mendicant orders, all of which influenced the legend's depiction from its earliest representation in manuscripts, reliquaries and altarpieces, to the great monumental cycles of the high Middle Ages. If the holy wood was the medium of medieval memory, A Heritage of Holy Wood reveals the growth rings of fifteen centuries of imagery.
Holy Cross --- Art, Byzantine. --- Art, Medieval. --- Legends --- Art [Byzantine ] --- Art [Medieval ] --- Art byzantin --- Art médiéval --- Byzantijnse kunst --- Byzantine art --- Kunst [Byzantijnse ] --- Kunst [Middeleeuwse ] --- Medieval art --- Middeleeuwse kunst --- Iconography --- Christian church history --- Christian special devotions --- anno 500-1499 --- 091.31:7.04 --- 246 --- Academic collection --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Christelijke kunst en symbolisme --- Religion Art in Christianity --- Art, Byzantine --- Art, Medieval --- Sainte Croix --- Art médiéval --- Art --- Légendes --- Christian art and symbolism --- Cross --- Feast of the Cross --- Art. --- Holy Cross - Legends - Art.
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Eyck, Jan van, --- Van Eyck, Hubert --- Van Eyck, Jan --- restauratie [kunst ; gebouwen] --- Academic collection --- C3 --- analyse --- schilderkunst --- religieuze kunst --- middeleeuwen (x) --- iconografie --- Kunst en cultuur --- Eyck, van, Hubert --- Eyck, van, Jan --- van Eyck, Jan --- van Eyck, Hubert --- Ėĭk, I︠A︡n van, --- Eyck, Jean van,
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Architecture --- anno 1300-1399 --- anno 1200-1299 --- Europe --- Church buildings in art --- Churches in art --- Eglises (Edifices) dans l'art --- Kerken (Gebouwen) in de kunst --- Art, Medieval --- Church buildings in art. --- Architectural models --- Christian art and symbolism --- Art médiéval --- Eglises dans l'art --- Modèles architecturaux --- Art et symbolisme chrétiens --- Themes, motives. --- History --- Thèmes, motifs --- Histoire --- Themes, motives --- 72.033 --- Buildings --- Models, Architectural --- Architectural casts --- Artists' preparatory studies --- Communication in architectural design --- Miniature objects --- Models and modelmaking --- Bouwstijlen van de Middeleeuwen (ca 476-1492) --- Subjects --- Models --- 72.033 Bouwstijlen van de Middeleeuwen (ca 476-1492) --- Art médiéval --- Modèles architecturaux --- Art et symbolisme chrétiens --- Thèmes, motifs --- Art [Medieval ] --- To 1500 --- Medieval, 500-1500 --- Middle Ages, 500-1500 --- Art, Medieval - Themes, motives --- Architectural models - History - To 1500 --- Christian art and symbolism - Medieval, 500-1500
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theme --- thema's in de kunst --- Aesthetics of art --- navel --- iconografie --- Academic collection --- 7.045 --- Iconografie: allegorieen; symbolen; dodendansen; emblemata --- 7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- kunst --- 7.041 --- erotiek --- seksualiteit --- geboorte --- lichamelijkheid --- iconologie --- Navel --- Symbolic aspects --- Pictorial works --- departement Beeldende Kunst 10 --- navel. --- iconografie.
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Lambert de Saint-Omer --- Exhibitions --- Encyclopedias and dictionaries --- Early works to 1600 --- Learning and scholarship --- History --- Medieval, 500-1500 --- Middle Ages, 500-1500
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keramiek --- Aesthetics of art --- onderzoek in de kunsten --- ceramics [object genre] --- research [function] --- thema's in de kunst --- theme --- Applied arts. Arts and crafts --- 592 --- 373.67 --- 738 --- IvOK (Instituut voor Onderzoek in de Kunsten) --- 7.073 --- 738.07 --- 7.039(493) --- Keramiek ; 2000-2009 ; Trees De Mits --- Belgische kunstenaars --- IvOK ; Instituut voor Onderzoek in de Kunsten --- Thema's in de kunst ; het menselijk lichaam ; onderdelen --- De Mits, Trees °1951 (°Sleidinge, België) --- Onderzoek in de kunsten --- Kunsttheorie ; over de artistieke creatie --- Artistiek onderzoek --- kunst --- IvOK --- de Mits Trees --- beeldhouwkunst --- België --- lichamelijkheid --- 7 --- Publicaties onderzoeksinstellingen --- Onderzoek (kunst) --- Keramiek (kunst) --- Kunst ; onderzoek in de kunsten, ontwerpproblemen --- Keramiek ; keramiekkunstenaars, pottenbakkers --- Kunstgeschiedenis ; 2000 - 2050 ; België --- MAD-faculty 14 --- hedendaagse kunst --- 373.67.04 --- Onderwijs ; kunst- architectuuronderwijs ; onderzoek in de kunsten ; architectuuronderzoek ; doctoraatsonderzoek
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"The extensive collection of the Triton Foundation in the Netherlands contains approximately 250 paintings, drawings and sculptures from more than 170 artists. The core of the collection consists of Western art dating from 1870 to 1970. Many important movements and artists from this period of creative production are represented, and the collection as a whole offers a fascinating overview of artistic developments from Impressionism to modern art. 'Avant-gardes, 1870 to the Present' features the diverse and celebrated artists of the Triton collection, including works by George Braque, Paul Cézanne, Willem de Kooning, Edgar Degas, Roy Lichtenstein, Édouard Manet, Lucian Freud , Henri Matisse, Claude Monet, Pablo Picasso, Vincent van Gogh and Andy Warhol. A checklist of artists' works as well as technical descriptions, basic literature, origins, and exhibitions for each work make the publication a useful reference tool." --P. 4 of cover.
avant-garde --- Art styles --- fine arts --- Triton Foundation --- anno 2000-2009 --- anno 1800-1999 --- 7 <492> --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland --- Exhibitions --- 7 <492> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland --- Art, Modern --- Art --- Avant-garde (Aesthetics) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Modernism (Art) --- Themes, motives --- Private collections --- History --- Subjects --- Art collections. --- fine arts [discipline] --- Art, Primitive --- Avant-garde (esthétique) --- Triton foundation. --- Triton Foundation (Den Haag). --- avant-garde. --- privécollecties. --- 1870. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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"Apart from a handful of art historians no sane person has ever heard of the Brussels painter Hendrick De Clerck (1560-1630). Nevertheless, De Clerck was a contemporary of Peter Paul Rubens and like Rubens he worked for the Archdukes Albert and Isabella. But while Rubens has gone down in history as an artistic trailblazor and painting powerhouse, Hendrick De Clerck has quietly faded into oblivion. Yet the subtly coded, vibrantly coloured pictures that De Clerck paints for Albert and Isabella are political propoganda of the highest order. In creating a mode of archducal representation that could help to gain an empire, the sky is quite literally the limit. De Clerck represents Isabella as wise Minerva, chaste Diana, the Virgin Mary. And that's nothing compared to her husband, for in De Clerck's paintings Albert is transformed int the sun god Apollo and even into Jesus Christ himself. Hendrick De Clerck's mastery of ingenious pictorial stragegy made him a leading palyer in one of most ambitious projects history has evern seen. For those who know how to read them, his paintings tell a story of power, political promises, and grandiose ambition. Most of all, they are supreme examples of image-building. For as the Archdukes were well aware, even as a monarch you're only as important as you make yourself."
Painting --- political art --- Clerck, de, Hendrik --- Albert & Isabella [Archdukes] --- Painters --- Painting, Belgian --- Peintres --- Peinture belge --- Biography --- Biographies --- Clerck, Hendrik de, --- Art --- Painting, Flemish --- Political aspects --- De Clerck, Hendrick --- Criticism and interpretation --- Isabel Clara Eugenia --- Art patronage --- Albert --- Flanders (Belgium) --- Painting [Flemish ] --- 16th century --- 17th century --- Belgium --- History --- Art - Political aspects - Flanders --- Painting, Flemish - Belgium - Brussels - 17th century --- Painting, Flemish - Belgium - Brussels - 16th century --- Clerck, Hendrik de, - approximately 1560-1630
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